When Harold Hill, a traveling con man, arrives in River City, he convinces the locals to start a band by purchasing the uniforms and instruments from him. His intention is to flee as soon as he receives the money. Librarian Marian Paroo suspects Harold is a fraud but holds her tongue since her moody brother, Winthrop, is excited about the band. As Harold begins to develop feelings for Marian, he faces a
difficult decision about skipping town.

When a Bronx Borough President is forced by the mortgage crisis into a confrontation with a local minister, the question they confront is one that faces us all: What is the relationship between spiritual experience and social action? This third installment of John Patrick Shanley’s riveting trilogy pushes the boundaries of moral responsibility in service to those around us. Should we give willingly of ourselves, or does our generosity only breed reliance and codependency. This is the question posed as Donaldo Calderon goes to confront a local preacher, Chester Kimmich, regarding the establishment and misuse of a local storefront church. This misuse has led to a personal financial crisis that has put Donaldo’s family friend, Jessie Cortez, in ruin despite her efforts to bolster her community and help those around her. Storefront Church follows the narrative set by Shanley’s previous Pulitzer prize winning plays Doubt and Defiance.

Isobel and Dolly are two “mature” cable-access cooking show hostesses who have hated each other for 30 years, ever since Larry Biddle dated one and married the other. When circumstances put them together on a TV show called THE KITCHEN WITCHES, the insults are flung harder than the food! Dolly’s long-suffering TV-producer son Stephen tries to keep them on track, but as long as Dolly’s dressing room is one inch closer to the set than Isobel’s it’s a losing battle, and the show becomes a rating smash as Dolly and Isobel top both Martha Stewart and Jerry Springer!

What would you do if you had all eternity? Eleven-year-old Winnie Foster yearns for a life of adventure beyond her white picket fence, but not until she becomes unexpectedly entwined with the Tuck Family does she get more than she could have imagined. When Winnie learns of the magic behind the Tuck’s unending youth, she must fight to protect their secret from those who would do anything for a chance at eternal life. As her adventure unfolds, Winnie faces an extraordinary choice: return to her life, or continue with the Tucks on their infinite journey.

A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.

The 2012 musical takes the audience through the first meeting of Casey and Aaron, two 30-ish New York City singles set up by friends and family. The two have nothing in common: Aaron is a conservative banker, Jewish, and looking for a meaningful relationship, while Casey is an artist and a little too funky for Wall Street. With the influences of their friends and family (played out in their imaginations) as well as the effects of social media (Google, Twitter, Facebook, and YouTube personified), this first date seems to be doomed. But with the help of a meddling but well-meaning waiter, Casey and Aaron might make a connection after all. With a contemporary rock score, FIRST DATE gleefully pokes fun at the mishaps and mistakes of blind dates and gives hope that there could be that one perfect moment. *PLEASE BE ADVISED! FIRST DATE THE MUSICAL CONTAINS CONTENT FOR MATURE AUDIENCES ONLY. (PROFANITY/SEXUAL CONTENT/HUMOR REGARDING RELIGIOUS STEREOTYPES)

In the final scene of Ibsen’s 1879 groundbreaking masterwork, Nora Helmer makes the shocking decision to leave her husband and children, and begin a life on her own. This climactic event—when Nora slams the door on everything in her life—instantly propelled world drama into the modern age. In A DOLL’S HOUSE, PART 2, many years have passed since Nora’s exit. Now, there’s a knock on that same door. Nora has
returned. But why? And what will it mean for those she left behind?

In this hilarious comedic romp, four friends have sworn to keep the promise they made on the night of their Senior Prom: to be in each other’s weddings...no matter what. More than thirty years later, these Southern friends-for-life are still making “the long walk” for each other, determined to honor that vow.

Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains "otherwise engaged" the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can't she?